Saturday, June 16, 2012

Restoration, or, It is What You Make of It



The man suspected the middle of cities, the middle of ruins in the mountains. He lived in a building whose foundation stood firmly on the rubble of another building, in the middle of a city.  In the middle of a city, the man could tolerate contradictions and give careful thought to disorderly things, and this upset him. On his worst days, the man suspected himself of everything from clumsiness to utter failure as a person. He asked himself: “Why, why, why?”

In the afternoons he drew little naked dwellers in the middle of ruins in the mountains. He drew them cooling on a bed of ivy under the pressure of the sun. Each dweller signified a past memory, a mistake in the man’s life. He hated each one of them. They lounged, with leisure, and without shame in the middle of the mountains. In the middle of the mountains, a tree could fall and it would mean nothing, or everything. 

The man, when he considered the dwellers, thought: I harm certain others. Because of this, he did not assign them names. In this way, he could begin to forget the harm he would do to them later.

The man, he had lived, like many of his friends, to expect ordinary nothing.  But hairless spots began to appear on his head, and these were not ordinary. They were a condition, rare and terrible, and they were gruesome. They brought the man much attention, and he could not be other than a sad thought.

He believed that everyone sought a center. The center was not the middle, but all middles had a center. But his, the man believed, was a remnant of dust driven by rage like water in a basin inside his stomach. He was an angry man, and he feared this part of him.

In the evenings, he felt his heart eating beyond the open window, contemplating an interference. But an interference did not occur, so the man was able to tear the dwellers into pieces and savor them on his tongue. 

In this way, was he able to feel his center slightly restored. 

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